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Articles on Williams
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Adler, Thomas P. "The
Glass Menagerie." Tennessee Williams: A
Guide to Research and Performance. Ed. Philip C. Kolin. Westport:
Greenwood, 1998. 34-50.
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—. "Rev.
of Homosexuality in Cold War America." Modern
Fiction Studies 44.2 (Summer 1998): 415-17.
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—. "Tennessee
Williams's Poetry: Intertext and Metatext." Tennessee
Williams Annual Review 1 (1998): 63-72.
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Babcock, Granger. "The
Glass Menagerie and the Transformation of
the Subject." Journal of Dramatic Theory and Criticism
14.1 (Fall 1999): 17-36.
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Barbera, Jack. "Strangers
in the Night: Three Interior Dramatic
Monologues by Tennessee Williams." Southern Quarterly
38.1 (Fall 1999): 71-80.
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Blanco, Jose Joaquin.
"Donald Windham: Las Amistade Perdidas."
Nexos Mexico 265 (Jan. 2000): 76-79.
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Bray, Robert. "Battle
of Angels and Orpheus Descending."
Tennessee Williams: A Guide to Research and Performance.
Ed. Philip C. Kolin. Westport: Greenwood, 1998. 22-33.
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—. "Moise
and the Man in the Fur Coat." Southern Quarterly 38.1
(Fall 1999): 58-70.
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—. "Sweet
Bird of Youth." Tennessee Williams: A Guide to
Research and Performance. Ed. Philip C. Kolin. Westport: Greenwood,
1998. 137-48.
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—. "Tennessee
Homecoming." The New Orleans Historical
Collection Quarterly 19.3 (Summer 2001): 1-5.
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—. "Williams's
Mexican Odyssey." Stagebill: Dallas, TX. (Winter
2000): 35.
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Cardullo, Bert. "The
Blue Rose of St. Louis: Laura, Romanticism, and
The Glass Menagerie." Tennessee Williams Annual Review
1 (1998): 81-92.
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Carter, Cassie. "Period
of Adjustment: High Point over a Cavern:
A Serious Comedy." Tennessee Williams: A Guide to Research
and Performance. Ed. Philip C. Kolin. Westport: Greenwood, 1998.
204-10.
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Costello, Donald P.
"Tennessee Williams's `Conjure Man' in Script
and Screen." Literature Film Quarterly 27.4
(1999): 263-70.
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Crandell, George W.
"Cat on a Hot Tin Roof." Tennessee Williams:
A Guide to Research and Performance. Ed. Philip C. Kolin. Westport:
Greenwood, 1998. 109-25.
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—. "The Cinematic
Eye in Tennessee Williams's The Glass
Menagerie." Tennessee Williams Annual Review
1 (1998): 1-12.
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—. "`Echo
Springs': Reflecting the Gaze of Narcissus in Tennessee
Williams's Cat on a Hot Tin Roof." Modern Drama 42.3
(Fall 1999): 427-41.
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—. "The
Night of the Iguana." Tennessee Williams: A Guide to
Research and Performance. Ed. Philip C. Kolin. Westport: Greenwood,
1998. 148-57.
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—. "Peeping
Tom: Voyeurism, Taboo, and Truth in the World of
Tennessee Williams's Short Fiction." Southern Quarterly
38.1 (Fall 1999): 28-35.
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Daniel, Lanelle. "The
Two-Character Play and Out-Cry."
Tennessee Williams: A Guide to Research and Performance.
Ed. Philip C. Kolin. Westport: Greenwood, 1998. 176-82.
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Debusscher, Gilbert.
"Tennessee Williams's Dramatic Charade:
Secrets and Lies in The Glass Menagerie." Tennessee Williams Annual Review 3 (2000): 57-68.
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—. "`Where
Memory Begins': New Texas Light on The Glass
Menagerie." Tennessee Williams Annual
Review 1 (1998): 53-62.
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Devlin, Albert J. "`The
Selected Letters of Tennessee Williams':
Prospects for Research." Tennessee Williams Annual
Review 1 (1998): 23-32.
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Dorff, Linda. "`All
very [not!] Pirandello': Radical Theatrics in the
Evolution of Vieux Carré." Tennessee Williams Annual Review 3 (2000): 1-23.
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—. "Babylon
Now: Tennessee Williams's Apocalypses." Theater
29.3 (Fall 1999): 115-121.
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—. "Chamber
Music: Four Artists Reflect on the Late Plays of
Tennessee Williams." American Theatre 15.8 (Oct. 1998):
22-25.
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—. "`I Prefer
the Mad Ones': Tennessee Williams Grotesque-Exegetical
Poems." Southern Quarterly 38 (Fall 1999): 81-93.
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—. "Theatricalist
Cartoons: Tennessee Williams's Late, `Outrageous'
Plays." Tennessee Williams Annual Review 2 (1999): 13-34.
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Dubbe, P. D. "Feminism
in A Streetcar Named Desire." New Waves
in American Literature. Ed. Desai Mutalik, V. K. Malhotra, T.
S. Anand and Prashant K. Sinha. New Delhi: Creative, 1999. 53-56.
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Durham, Leslie Atkins,
and John Gronbeck-Tedesco. "The Rose
Tattoo." Tennessee Williams: A Guide to Research and
Performance. Ed. Philip C. Kolin. Westport: Greenwood, 1998.
90-99.
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Ensana, Joel. "Dancing
with Waters." Harvard Gay and Lesbian
Review 6.2 (Spring 1999): 12-14.
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Fisher, James. "`An
Almost Posthumous Existence': Performance,
Gender, and Sexuality in The Roman Spring of Mrs. Stone."
Southern Quarterly 38.1 (Fall 1999): 45-57.
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—. "Camino
Real." Tennessee Williams: A Guide to Research and
Performance. Ed. Philip C. Kolin. Westport: Greenwood, 1998.
100-08.
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Ford, Marilyn Claire.
"Suddenly Last Summer." Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 126-36.
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Fordyce, William. "Tennessee
Williams's Tom Wingfield and George
Kaiser's Cashier: A Contextual Comparison." Papers on Language
and Literature 34.3 (Summer 1998): 250-72.
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Foster, Verna. "Desire,
Death, and Laughter: Tragicomic Dramaturgy
in A Streetcar Named Desire." American Drama
9.1 (Fall 1999): 51-68.
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Gianakaris, C. J. "Tennessee
Williams and Not About Nightingales:
The Path Not Taken." American Drama 9.1 (Fall 1999):
69-91.
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Goff, David H. "Tennessee
Williams's Films." Tennessee Williams: A
Guide to Research and Performance. Ed. Philip C. Kolin. Westport:
Greenwood, 1998. 242-53.
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Grierson, Patricia.
"Tennessee Williams's Poetry." Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 232-41.
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Grosch, Robert J. "Memory
as Theme and Production Value in
Tennessee Williams's The Red Devil Battery Sign." Tennessee
Williams Annual Review 1 (1998): 119-24.
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Hale, Allean. "The
Clock and the Cage: An Afterword about A
System of Wheels." Michigan Quarterly Review
38.4 (Fall 1999): 512-13.
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—. "Tennessee
Williams as Social Activist." Modern Drama 43.3
(Fall 1999): 346-62.
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—. "Tennessee
Williams: The Preacher's Boy." Southern Quarterly
38.1 (Fall 1999): 10-20.
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—. "Tom Williams,
Proletarian Playwright." Tennessee Williams
Annual Review 1 (1998): 13-22.
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Hays, Peter L. "Tennessee
`Outs' Scott and Ernest." The Author as
Character: Representing Historical Writers in Western Literature.
Ed. Frank Franssen and Ton Hoenselaars. Madison, NJ: Fairleigh
Dickerson UP, 1999. 253-63.
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Heller, Scott, Richard
Monastersky, and Jennifer K. Ruark, eds.
"Encore, Encore: Tennessee Williams still has not spoken his
last." Chronicle of Higher Education 48.13 (2000): A14.
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—. "Tennessee
Williams's Last Play Finally Sees Print." Chronicle of
Higher Education 47.13 (2000): A14.
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Henderson, Cathy. "I
Rise in Flame, Cried the Phoenix."
Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 211-19.
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Hitchcock, Frances
Oglesby. "The Milk Train Doesn't Stop Here
Anymore." Tennessee Williams: A Guide to Research and
Performance. Ed. Philip C. Kolin. Westport: Greenwood, 1998.
158-65.
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Kolin, Philip C. "Charlotte
Capers, Tennessee Williams and the
Mississippi Premiere of A Streetcar Named Desire." Mississippi
Quarterly 51.2 (Spring 1998): 327-31.
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—. "Compañero
Tenn: The Hispanic Presence in the Plays of
Tennessee Williams." Tennessee Williams Annual Review
2 (1999): 35-52.
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—. "Echoes
of Reflexivity in Tennessee Williams's A Perfect
Analysis Given By A Parrot." Notes On Contemporary Literature
30.3 (2000): 7-9.
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—. "From
Coitus to Craziness: The Italian Premiere of A Streetcar
Named Desire." Journal of American Drama and Theatre
10.2 (Spring 1998): 74-92.
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—. "`Isolated':
Tennessee Williams's First Extant Published Short
Story." Tennessee Williams Annual Review
1 (1998): 33-40.
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—. "Kingdom
of Earth/The Seven Descents of Myrtle." Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 166-75.
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—. "Lost
in a Sea of Words: Tennessee Williams's Lifeboat Drill."
Mississippi Quarterly 53.1 (Winter 1999/2000): 57-66.
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—. "Not About
Nightingales." World Literature Today (Autumn
1998):833-34.
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—. "Roland
Barthes, Tennessee Williams and A Streetcar Named
Desire/Pleasure." Centennial Review 43 (Spring
1999): 289-304.
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—. "`Something
Cloudy, Something Clear': Tennessee Williams's
Postmodern Memory Play." Journal of Dramatic Theory and
Criticism 12.2 (Spring 1998): 35-55.
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—. "Spring
Storm." World Literature Today 74.2 (Spring 2000):
369-70.
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—. "Stairs
to the Roof." World Literature Today (Autumn 2000):
816-17.
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—. "A
Streetcar Named Desire." Tennessee Williams: A Guide
to
Research and Performance. Ed. Philip C. Kolin. Westport: Greenwood,
1998. 51-79.
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—. "Tennessee
Williams's `Interval': MGM and Beyond." Southern
Quarterly 38.1 (Fall 1999): 21-27.
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—. "Williams's
`Frosted Glass Coffin.'" The Explicator 59 (Fall
2000): 44-46.
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Konkle, Lincoln. "Puritan
Paranoia: Tennessee Williams's Suddenly
Last Summer as Calvinist Nightmare." American Drama
7.2 (Spring 1998): 51-72.
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Korda, Michael. "That's
It, Baby." New Yorker 22 Mar. 1999: 60,
62-68.
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Kramer, Richard E.
"Summer and Smoke and The Eccentricities of a
Nightingale." Tennessee Williams: A Guide to Research and Performance. Ed. Philip C. Kolin. Westport: Greenwood, 1998.
80-89.
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Kullman, Colby H. "The
Red Devil Battery Sign." Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 194-203.
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—. "Tennessee
Williams's Mississippi Delta: A Photo Essay."
Southern Quarterly 38.1 (Fall 1999): 124-40.
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Kundert-Gibbs, John.
"Barren Ground: Female Strength and Male
Impotence in Who's Afraid of Virginia Woolf and Cat on a Hot Tin Roof." Staging the Rage: The Web of Misogyny in Modern Drama. Ed. Katherine H. Burkman and Judith Roof. Madison,
NJ: Fairleigh Dickinson UP, 1998. 230-47.
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Lester, Neal A. "American
Blues." Tennessee Williams: A Guide to
Research and Performance. Ed. Philip C. Kolin. Westport: Greenwood,
1998. 13-21.
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—. "27
Wagons Full of Cotton and Other One-Act Plays."
Tennessee Williams: A Guide to Research and Performance.
Ed. Philip C. Kolin. Westport: Greenwood, 1998. 1-12.
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Levin, Lindy. "Shadow
Into Light: A Jungian Analysis of The Night of
the Iguana." Tennessee Williams Annual Review 2
(1999): 87-98.
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Londré, Felicia
Hardison. "Tennessee Williams and His Favorite
Writer." The Tennessee Williams Literary Journal 4.2
(Fall 1999): 21-32.
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Lux, Mary F. "Tenn
Among the Lotus Eaters: Drugs in the Life and
Fiction of Tennessee Williams." Southern Quarterly 38.1
(Fall 1999): 117-23.
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Macclay, Robert. "Medical
Men on Tennessee." Journal Louisiana
State Medical Society (August 2000).
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Miller, D. A. "Visual
Pleasure in 1959." Out Takes: Essays on Queer Theory and Film. Ed. Ellis Hanson. Durham: Duke UP, 1999.
97-125.
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Monteiro, George. "`Strict
and Savage Heart on a Taffeta Sleeve':
Emily Dickinson in the Plays of Tennessee Williams." The
Tennessee Williams Literary Journal 4.2 (Fall 1999): 37-44.
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Murphy, Brenda. "Brick
Pollitt Agonistes: The Game in `Three
Players of a Summer Game' and Cat on a Hot Tin Roof."
Southern Quarterly 38.1 (Fall 1999): 36-44.
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Myers, Eric. "Making
Streetcar Sing." Opera News 63.3 (Sept.
1998).
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O'Connor, Jacqueline.
"`Living in this little hotel': Boarders on
Borders in Tennessee Williams's Early Short Plays." Tennessee
Williams Annual Review 3 (2000): 1-23.
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—. "The `Neurotic
Giggle': Humor in the Plays of Tennessee Williams
with The Lady Larkspur of Lotion." Studies in American
Humor 3.6 (1999): 37-48.
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O'Grady, Desmond. "Dos
dias y diez minutes con la literatura."
Suplemento Cultura La Nacion [Buenos Aires] 4 Jan. 1998:
3.
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Ohi, Kevin. "Devouring
Creation: Cannibalism, Sodomy, and the
Scene of Analysis in Suddenly Last Summer." Cinema
Journal 38.3 (1999): 27-49.
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O'Quinn, Jim. "Springtime
for Tennessee." American Theatre 15.6
(July/August 1998): 54.
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Paller, Michael. "The
Couch and Tennessee." Tennessee Williams
Annual Review 3 (2000): 37-55.
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Palmer, R. Barton.
"Chance's Main Chance: Richard Brooks's Sweet
Bird of Youth." Tennessee Williams Annual Review 3
(2000): 25-36.
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—. "Elia
Kazan and Richard Brooks Do Tennessee Williams:
Melodramatizing Cat on a Hot Tin Roof on Stage and Screen."
Tennessee Williams Annual Review 2 (1999): 1-11.
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Parker, Brian. "Bringing
Back Big Daddy." Tennessee Williams
Annual Review 3 (2000): 91-99.
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—. "Documentary
Sources for Camino Real." Tennessee Williams
Annual Review 1 (1998): 41-52.
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—. "Multiple
Endings for The Rose Tattoo (1951)." Tennessee
Williams Annual Review 2 (1999): 53-68.
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—. "Tennessee
Williams and the Legends of St. Sebastian."
University of Toronto Quarterly 69.3 (Summer 2000): 634-59.
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—. "A Tentative
Stemma for Drafts and Revisions of Tennessee
Williams's Suddenly Last Summer (1958)." Modern Drama
41.2 (Summer 1998): 303-26.
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Phillips, Rod. "`Collecting
Evidence': The Natural World in Tennessee
Williams's The Night of the Iguana." Southern Literary
Journal 32.2 (Spring 2000): 59-69.
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Ramaswamy, S. "Geriatrics:
The Treatment of Old Age in Tennessee
Williams's Plays." Indian Journal of American
Studies 28.1-2 (Winter-Summer 1998): 1-6.
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Razak, Ajmal. "Note
on a Line of Tennessee Williams's Suddenly
Last Summer." English Language Notes 37.2 (Dec.
1999): 68.
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Rizzo, Frank. "Raising
Tennessee." American Theatre 15.8 (Oct.
1998): 20-25.
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Rocha, Mark W. "Small
Craft Warnings, Vieux Carré, and A
Lovely Sunday for Crève Coeur." Tennessee Williams:
A Guide to Research and Performance. Ed. Philip C. Kolin. Westport:
Greenwood, 1998. 183-93.
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Ruckel, Terri Smith.
"A `Giggling, Silly, Bitchy Voluptuary': Tennessee
Williams's Memoirs as Apologia Pro Vita Sua."
Southern Quarterly 38.1 (Fall 1999): 94-103.
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Saddik, Annette J.
"Tennessee Williams." Mississippi Quarterly
53.1
(Winter 1999/2000): 185-88.
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—. "The (Un)Represented
Fragmentation of the Body in Tennessee
Williams's `Desire and the Black Masseur' and Suddenly Last Summer."
Modern Drama 41.3 (Fall 1998): 347-54.
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Sahayam, V. Sam. "How
Broadway Proved Williams Wrong: A
Comparative Study of The Eccentricities of a
Nightingale and Summer and Smoke." A Mosaic
of Encounters. Ed. Desai Mutalik, V. K. Malhotra, T. S. Anand
and Prashant K. Sinha. New Delhi: Creative, 1999. 15-20.
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Schiavi, Michael R.
"Effeminacy in the Kingdom: Tennessee Williams
and Stunted Spectatorship." Tennessee Williams Annual Review
2 (1999): 99-113.
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Schlatter, James. "Red
Devil Battery Sign: An Approach to Mytho-Political
Theater." Tennessee Williams Annual Review 1 (1998):
93-102.
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Sengupta, Ashis. "The
Glass Menagerie: Bits of Shattered Rainbow."
A Mosaic of Encounters. Ed. Desai Mutalik,
V. K. Malhotra, T. S. Anand and Prashant K. Sinha. New Delhi: Creative,
1999. 21-28.
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Shackelford, Dean.
"Is There a Gay Man in This Text?: Subverting
the Closet in A Streetcar Named Desire." Literature
and Homosexuality. Ed. Michael J. Meyer. Amsterdam: Rodopi,
2000.
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—. "The Transmutation
of Experience." Southern Quarterly 38.1
(Fall 1999): 104-16.
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—. "The Truth
That Must Be Told: Gay Subjectivity, Homophobia,
and Social History in Cat on a Hot Tin Roof." Tennessee
Williams Annual Review 1 (1998): 103-18.
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Single, Lois Leathers.
"Flying the Jolly Roger: Image of Escape and
Selfhood in Tennessee Williams's The Glass Menagerie."
Tennessee Williams Annual Review 2 (1999): 69-85.
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Tischler, Nancy M.
"Tennessee on Tennessee." Mississippi
Quarterly 51.4 (Fall 1998): 649-61.
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—. "Tennessee
Williams: Vagabond Poet." Tennessee Williams
Annual Review 1 (1998): 73-79.
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Voss, Ralph F. "Tennessee
Williams and William Inge: Friends,
Rivals, Great American Playwrights." The Tennessee Williams
Literary Journal 4.2 (Fall 1999): 9-20.
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Wolter, Jürgen
C. "Tennessee Williams's Fiction." Tennessee
Williams: A Guide to Research and Performance. Ed. Philip C.
Kolin. Westport: Greenwood, 1998. 220-31.
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